CONTENTS OF VOLUME XXXIII (2017)

NUMBER 1

Contents

A Proposed Intaglio Addition to Leonhard Beck's Printed Oeuvre by barbara butts and marjorie b. cohn 3
Lelio Orsi, Antonio Pérez and The Minotaur Before a Broken Labyrinth by rhoda eitel-porter 11
Cornelis Galle I Between Genoa and Antwerp by jamie gabbarelli 20
Franz Christoph von Scheyb on the Art of Engraving by thomas frangenberg 32
The Drypoints of B. J. O. Nordfeldt by julie mellby 42

Notes
Bruegel's Witches by jean michel massing 53
Visual Cultures of Death in Central Europe by thomas dacosta kaufmann 57
Nicolas Van Aelst’s Settenario Della Beata Vergine by loredana lorizzo 57
Emblems of Death in the Early Modern Period by valerie hayaert 60
Rembrandt Catering to Collectors (Rembrandt's Changing Impressions) by jaco rutgers 62
The Jesuits and the Imago Primi Sæculi (Art, Controversy, and the Jesuits) by jean michel massing 64
The Gardens of André Le Nôtre (André Le Nôtres Gärten im Spiegel barocker Druckgraphik) by linda b. parshall 67
Capitalism and Cartography in the Dutch Golden Age by tom conley 68
Drawn from the Antique: Artists & the Classical Ideal by viccy coltman 70
Decorated Papers (An Anthology of Decorated Papers: A Sourcebook for Designers) by alberto milano 72
Book Illustration in Eighteenth-Century Venice (Tiepolo Piazzetta Novelli: L'incanto del libro illustrato nel Settecento Veneto) by giorgio marini 73
Luigi Rossini 1790–1857 by david r. marshall 76
Visionary Prints (Fantastique! L'estampe visionnaire de Goya à Redon) by chris michaelides 78
Hans Christiansen (1866–1945) by charlotte ashby 80
Edouard Vuillard (1868–1940) by anne buschhoff 82
Modern British Prints: Daniel Cowin Collection and Sybil Andrews Linocuts by samantha rippner 85
William Gear (1915–97) by martin hopkinson 87
Equipo Crónica: Contemporary Visual Language Against the Spanish Dictatorship by ricardo marin-viadel 88
The Impossible Task of Cataloguing Warhol by lucy mulroney 91
Twentieth-Century Printmaking in Zaragoza (Actualidad de la gráfica en Aragon) by benito navarrete prieto 92
Publications Received 95

Catalogue and Book Reviews
Max Klinger (1857–1920) by jeannette stoschek 97
M. C. Escher (1898–1972) by tim o'riley 101
Giorgio Morandi (1890–1964) by amy n. worthen 104
Marcel Duchamp's Boîte-en-valise by stephen j. bury 111
R. B. Kitaj (1932–2007) by alexander adams 113

 

NUMBER 2

Contents

Parmigianino’s Judith: A New Etching by catherine jenkins 131
Cornelis Bloemaert's Workshop in Rome by maria gabriella matarazzo 139
Cornelis Bloemaert’s 1692 Estate Inventory and His Final Years by lucia simonato 150
Moving Pictures: Nineteenth–Century British Mechanical Prints by sileas wood 162
Jim Dine – Printmaking and the Tools of his Trade by paul coldwell 177

Notes
Aldus Manutius and The Woodcut in Italian Books (Aldo Manuzio: Renaissance in Venice) by debra pincus 189
Fifteen Signs Before Doomsday (Die Fünfzehn Zeichen vor dem Jüngsten Gericht) by jean michel massing 192
Een Rijke Traditie: Twee eeuwen Nederlandse prenkunst uit privébezit by nadine orenstein 193
Maarten Van Heemskerck (1498–1574) (Les villes détruites de Maarten van Heemskerck) by edward h. wouk 195
The Pushkin’s Seasons in Netherlandish Graphic Art (Vremena goda v Niderlandskoi grafike) by galina mardilovich 197
Hans Bol's Emblemata Evangelica by an van camp 198
Festival Prints (The Edible Monument) by deborah l. krohn 199
Adriaen van Ostade (1610–85) by peter van der coelen 201
Coloured Prints (Afsetters en meester–afsetters: De kunst van het kleuren) by elmer kolfin 203
Claude Mellan (1598–1688) by rebecca zorach 205
Lost in Translation: Reinterpretation of Architectural Treatises (Traduire l’architecture) by deborah howard 207
Karoline Luise von Baden as Collector by christiane wiebel 209
Piranesi’s Published Books by john e. moore 211
Ephemera in Revolutionary France (The Politics of the Provisional) by kristel smentek 214
William Blake (1757–1827) by martin myrone 217
Adam Buck (1759–1833) by katarina klaric 218
Japanese Prints from the Barbara S. Bowman Collection by rosina buckland 221
The Power of Line by joana p. r. neves 222
Nikolai Astrup (1880–1928) by martin hopkinson 222

Catalogue and Book Reviews
Early Dürer Woodcuts by larry silver 227
The Land of Cockayne and the Joys of Matrimony by sheila o'connell 231
The Distinguished Images of Nineteenth–Century France by marc gotlieb 234
Associated American Artists, 1934–2000 by robert conway 238

 

NUMBER 3

Contents

Marcantonio Raimondi’s Bacchanals: New Findings by james grantham turner 259
New Thoughts on Hans Burgkmair’s Mercury, Venus and Cupid by james wehn 270
Print Prices in Antwerp: Rubens and his Contemporaries by karen l. bowen 282
John Baptist Jackson’s Woodcuts and the Question of Embossing by evelyn wöldicke 298

Shorter Notice

Micrographic Allegories by Johann Michael Püchler and Matthias Buchinger by freyda spira 310

Notes
A Printed Icon in Early Modern Italy by ana debenedetti 316
A Renaissance Art History of the Blockbook Canticum Canticorum by elizabeth savage 319
Campagnola’s Ganymede by kurt zeitler 324
The Inca Garcilaso de la Vega by mark mcdonald 326
Stamperia Reale Borbonica by adriano aymonino 328
Napoleonic Caricatures by rolf reichardt 331
Nature Prints by martin hopkinson 333
Lynd Ward by jake milgram wien 335
Corrections and Addenda 337

Catalogue and Book Reviews
The Kirk Edward Long Collection of Mannerist Prints by nathalie strasser 338
Mariette and the Science of the Connoisseur by perrin stein 340
Degas and the Monotype by line clausen pedersen 344
Aubrey Beardsley by susan owens 349
The ‘Second Life’ of Matisse by valerie holman 353
Double Vision: Albrecht Dürer and William Kentridge by joseph leo koerner 358